Ewa Lisiak - Conservation and Restoration of Art - adrian altar John
Ewa Lisiak - Conservation and Restoration of Art - last supper
Ewa Lisiak - Conservation and Restoration of Art - paint colors
Ewa Lisiak - Conservation and Restoration of Art - chemistry
Ewa Lisiak - Conservation and Restoration of Art - stutthof rosary
Ewa Lisiak - Conservation and Restoration of Art - wood hand knife
Ewa Lisiak - Conservation and Restoration of Art - dark paint
Ewa Lisiak - Conservation and Restoration of Art - pigments
Ewa Lisiak - Conservation and Restoration of Art - astonomical clock
Ewa Lisiak - Conservation and Restoration of Art - dolls
Ewa Lisiak - Conservation and Restoration of Art - madonna apples
Ewa Lisiak - Conservation and Restoration of Art - Antwerp altar Gdańsk
Ewa Lisiak - Conservation and Restoration of Art - clipper
Ewa Lisiak - Conservation and Restoration of Art - adrian altar John
Ewa Lisiak - Conservation and Restoration of Art - adrian altar John

Restory - Ewa Lisiak | Conservation and Restoration of Art ( Konserwacja i restauracja dzieł sztuki )

Restory's experience is primarily of work in the Church of St.Mary in Gdansk. The company's activity is mainly the conservation of medieval polychrome sculptures.

Idea is to work with respect for history, constantly expanding knowledge of medieval style and techniques, trying to develop skills in sculpting, painting and gilding, as well as training in the fields of photography, technological and conservation research.

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The care
of medieval artifacts
is not all
... see other works ...

medieval artifact
Wallpaintings - Restory - Ewa Lisiak - Conservation and Restoration of Art - 1

The easter part of the chapel of St James in St Mary Church in Gdańsk is covered by wall paintings attributed to a local workshop. In 2023, depictions of Passion of Jezus and monumental James the Great underwent treatment.

The wall paintings dating around 1430 possesses a difficult condition history. A few methods of retouching were recognized, surface was dirty and despite the 1986-89 treatment, flaking of the polychromy persisted.

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Comparison of photos of Our Lady of Sorrows from the Crucifixion of Master Paul Group (c.1517) during conservation works.

medieval artifact medieval artifact medieval artifact medieval artifact

The care
of medieval artifacts
is not all
... see other works ...

medieval artifact

Currently we are cleaning....

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Like the material cognates, paintings on cotton canvas, banners are highly responsive to their environment. In order to avoid changing the material and appearance of the painted letters, specialists the European Solidarity Center charged with the care of collections decided to make a replica of the banner PROLETARIUSZE WSZYSTKICH KRAJÓW ŁĄCZCIE SIĘ from August 1980.

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The relief depicting the Holy Trinity was probably part of a Baroque altar displayed in one of the chapels in the church of St. Nicholas. The object has been located in a church tower for over a hundred years.

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The model was made by the mentor of Gdańsk modeling, Tadeusz Piskorzyński. This sailing ship was built in the 1950s. The conservation and restoration of the model was carried out in 2021, together with other objects from the Museum of Technology in Warsaw.

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Rosaries / KL Stutthof - Restory - Ewa Lisiak - Conservation and Restoration of Art - 1
Rosaries / KL Stutthof - Restory - Ewa Lisiak - Conservation and Restoration of Art - 1

In 2021, a covers were made for two rosaries from KL Stutthof. One of them was additionally copied, the other supplemented with missing beads.

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Puppets  - Restory - Ewa Lisiak - Conservation and Restoration of Art - 1
Puppets  - Restory - Ewa Lisiak - Conservation and Restoration of Art - 1

In November 2018 a highly valued puppets collection from St. Mary Church in Gdańsk was sent to workshop. Urging state of puppets helped with the effort to preserve this treasure of the cultural heritage from the progressive degradation.

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Trinity from Nicolaus Church in Gdańsk before and after conservation. The treatment was taken in 2023 roku thanks to Karolina Szczapanowska, who initiated these works.

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